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Information for and about writers. | Information for and about writers. | ||
[[Category:Art]] | [[Category:Art]] | ||
My name is Kelley, and I am an ARTC writer. | |||
I know from experience that the one thing ARTC writers can most benefit from is FEEDBACK -- reactions to scripts presented at rehearsal along the lines of "what works" and "what doesn't." Often, we don't recognize a piece's strengths and weaknesses until we have a chance to think over them; therefore, it helps to have a forum of communication through which we can communicate on our pieces' strengths and weaknesses between rehearsals. | |||
Where should scripts be cut to improve pacing? Where could the effectiveness of a scene be improved by adding a Foley effect? How can characters' dialogue be tweaked here and there to make them more believable and/or interesting? Any and all advice on such questions is most welcome. | |||
Latest revision as of 10:41, 15 July 2007
Information for and about writers.
My name is Kelley, and I am an ARTC writer.
I know from experience that the one thing ARTC writers can most benefit from is FEEDBACK -- reactions to scripts presented at rehearsal along the lines of "what works" and "what doesn't." Often, we don't recognize a piece's strengths and weaknesses until we have a chance to think over them; therefore, it helps to have a forum of communication through which we can communicate on our pieces' strengths and weaknesses between rehearsals.
Where should scripts be cut to improve pacing? Where could the effectiveness of a scene be improved by adding a Foley effect? How can characters' dialogue be tweaked here and there to make them more believable and/or interesting? Any and all advice on such questions is most welcome.